Reviews

Read the Review
Mngwa

Read the Review
Andrew Franey

Read the Review
The Shangs

Read the Review
Alex Cuba

Read the Review
Tri Nguyen

Read the Review
Defend The Rhino

Read the Review
Talltale

Read the Review
Kiwi Jr.

Read the Review
Plaster

Read the Review
Hyness

Read the Review
Black Suit Devil

Read the Review
Yamantaka // Sonic Titan

Read the Review
The Pack A.D.

Read the Review
Chad VanGaalen

Read the Review
Potengowski Anna Friederike

Read the Review
Todd Rundgren

Read the Review
Old 97's

Read the Review
Needles//Pins

Share |



More By The Prodigy

Cover Art
Invaders Must Die


Cover Art

The Prodigy ( http://www.theprodigy.com )

Always Outnumbered, Never Outgunned
XL Recordings ( http://www.xlrecordings.com/ @XLrecordings )
After a ridiculously long period of silence, The Prodigy has finally released a follow-up to 1998’s critically hyped Fat Of The Land. Always Outnumbered, Never Outgunned is actually easier to define by what it isn’t rather than what it is. FOTL was a truly great record and, while not an original concept (a group of DJs marketed as a band? Massive Attack anyone?) successfully crystallized the cyber punk culture and placed DJ style within the context of succinct, popular song. It didn’t hurt that they had a good, charismatic lead singer either. The Prodigy, which is now just Liam Howlett in the studio, have totally ignored most of those elements for Always Outnumbered. Howlett has placed the emphasis of AONO squarely on the beats while utilizing a legion of vocalists as ambient samples. It is to Howlett’s credit that he made such a scattered record sound coherent in that regard. On the other hand, where once The Prodigy throbbed with kinetic energy and were possessed of a unique voice, AONO begins to feel like another anonymous DJ mix as early as the first single “Girls� and never really picks up any sort of lasting vibe. Diamond-hard beats and breaks move AONO along with the vocals only occasionally registering (Juliette Lewis’ contribution on “Hotride� surges while the “Love Buzz� boot “Phoenix� injects new life into an old chestnut) as Howlett gets his rocks off on computer and turntables. The songs fairly crackle with the PCP fuelled energy that characterized the mixes of The Prodigy’s early work but, even so, the record does appear to only make concessions for the additional personnel rather than incorporate them into singular vision. Always Outnumbered, Never Outgunned is probably the first Prodigy record that’ll see rotation in a dance club rather than an alternative club because the beats get jammed so far forward in the mixes. The downside is that means The Prodigy have ignored their core audience. The Prodigy have succeeded in getting back to their roots, but their roots isn’t what made them work. Always Outnumbered, Never Outgunned is a great club record; but it isn’t a great Prodigy record.

By Bill Adams
Sep 29, 2004

[reviews home] [list reviews]
 
comments powered by Disqus

More Reviews By Bill Adams

Cover Art Bad Religion
The Empire Strikes First
(Epitaph)
Sep 29, 2004
Cover Art Badly Drawn Boy
One Plus One Is One
(XL Recordings)
Sep 29, 2004
Cover ArtThe Beauticians
Cosmopology
(Cheemo)
Mar 13, 2004
Cover Art Blonde Redhead
Misery Is A Butterfly
(4AD)
Sep 29, 2004
Cover Art Clann Zu
Rua
(G7 Welcoming Committee)
Mar 13, 2004
Cover Art F-minus
Wake Up Screaming
(Hellcat)
Mar 13, 2004
Cover Art Guided By Voices
Half Smiles Of The Decomposed
(Last Gang)
Sep 29, 2004
Cover Art Jane's Addiction
Strays
(Capitol)
Mar 13, 2004
Cover ArtThe Locust
Plague Soundscapes
(GSL)
Mar 13, 2004
Cover Art Raised Fist
Dedication
(Burning Heart)
Mar 13, 2004
Cover Art Sleater-Kinney
One Beat
(Kill Rock Stars)
Mar 13, 2004
Cover Art Turbonegro
Scandinavian Leather
(Epitaph)
Mar 13, 2004
Cover Art Ween
Live In Chicago
(EMI)
Sep 29, 2004
Cover ArtPaul Westerberg
Folker
(Anti-)
Sep 29, 2004

More Reviews For XL Recordings artists

Cover Art Badly Drawn Boy
One Plus One Is One
(XL Recordings)
Sep 29, 2004
header bottom